The main thing people that know me know about me is that I play guitar. I have done so since I was about 13, buying my first guitar in 1994, from a school friend called Lloyd Davies. I ended up taking the instrument a lot more seriously than a lot of my peers. I wasn’t necessarily better at it than many of them, but I was into it in a different way, happy to lose whole afternoons and weeks to practicing my favourite songs. Here is a list of all the guitars I ever owned. Because.
Photos to follow later. You know what a guitar looks like, surely.
Encore Stratocaster – The first. After trying my hand at various instruments – violin, trumpet, and piano – I’d been uninspired. I enjoyed the act of making music, but not on these instruments. Then one day my grandad said something that changed everything. “Your dad was always upset that you didn’t follow him in playing guitar.” Well, at this time of my life I was still quite into trying to impress my father, who’d left when I was ten. The idea fermented over the following weeks as I pestered my mum for a guitar. She was adamant, for reasons I’ll never understand, that I should start with an acoustic guitar. No mum, I want to play rock music. At the time I was heavily into Guns n Roses, Iron Maiden, Metallica, Sepultura, and Blur and Oasis were taking a lot of my time, so I needed an electric guitar.
It just happened that my friend Lloyd was also selling his Strat, and to cut a long story short I bought it, for around £100. It came with a hard case and a tiny Marshall amp and set me on a path I still follow.
The guitar itself was, frankly, a piece of shit. Starter guitars in the 1990s were not what they are now. This one was immensely heavy, had terrible pickups, and was not a joy to play. But I didn’t know that at the time, as I hadn’t played another. To me it was a thing of beauty. I ended up replacing it (as we’ll see in a moment), and donated it to a guy who fixed guitars up to give them to disadvantaged kids.
Gibson SG – The only real Gibson I ever owned, my dad gave me his old SG (and a Venom amplifier) on my 16th birthday. The only condition, he said, was that if I ever didn’t want it any more I was to return it to him, not sell it. It was wonderful. Cherry red, like 80% of SGs, this was a beautiful guitar. Fitted with a DiMarzio pickup in the bridge position, with a coil split switch wired in, it sounded perfect and helped me to realise my rockstar dreams – in front of my bedroom mirror at least.
It saw use in several gigs, all my early ones, and always got remarks from people who’d talk to me afterwards. Then my dad took it back, and I never saw it again.
Encore Acoustic – Before I’d realised the Strat by the same company was a dog, I bought an acoustic guitar of the same brand. It too was a dog. But it was nice to play along to Oasis’ softer songs on the correct type of guitar. I remember the thicker strings would rub against each other by the tuning posts, such that it was impossible to perfectly tune the thing. It also sounded pretty harsh. But still, I enjoyed it for a while.
Epiphone Les Paul – Before the SG was gone, I bought the first nice guitar of my own. A Limited Edition Epiphone Les Paul, bought (and made) in 2000, in trans amber finish. It became known as the lesbian for reasons that made a lot more sense then than now. It remains my favourite of all my guitars, playing and sounding fantastic. It’s heavy (as Les Pauls tend to be), but once you get used to carrying the weight it is a pure joy. The frets are now worn, and to replace them costs silly money in Amsterdam so I’ll wait until I can take it elsewhere. Even after nineteen years of heavy use they’re not so worn as to make the instrument unplayable – I have newer guitars in worse shape.
This is the last possession I would sell, should it come to that.
Epiphone SG Gothic – Let’s be plain – I bought this for the matte black finish. It was also fairly inexpensive, so when I spotted it during one of my many browsing visits to the local guitar shop I had to have it. Unfortunately once the honeymoon period was over I was left with a guitar that didn’t sound too good, and that I wasn’t able to set up to a standard that matched my Les Paul, so it had to go. I did play a couple of “acoustic” sets with it (I only had that awful Encore acoustic guitar, so I used this instead) and it served its purpose before I sold it.
Epiphone Explorer Korina – Another Epiphone that I noticed hanging in the guitar shop one day. Similar enough to James Hetfield’s guitar, I had to have it, and I still do. I bought this one in 2004, and it is hanging right now next to my Les Paul. It got a lot of use in the mid-2000s, then when a new job (with shift work) ruined any serious band prospects it went unused for most of a decade, as its shape makes it not the easiest to sit down and jam. I did use it for one band rehearsal when I joined a new band in 2015, but the way it hangs made it uncomfortable for my ageing back. It’s a shame, because it sounds great, looks great, just isn’t comfortable for me any more. Still, I won’t sell it. It’s special.
John’s Bass – I was given a bass by the singer of my first ever band. He didn’t want it any more – he had little interest in the effort of getting good at it – so he passed it on to me. I didn’t care about bass at the time, so I passed it on again. The body of the bass had been sanded to bare wood, with flecks of paint remaining – the reason he gave me was that it was used by GWAR, and had been covered in nails (and blood). Whether or not this is true… it’s a fun story. Maybe I once owned a bass from GWAR.
Ibanez Acoustic – The money that I got for the Gothic SG paid for a new acoustic, in 2004, made by Ibanez. I bought it because it was the most expensive one in the shop that I could afford (I think it cost £220). It’s by no means a bad guitar, and with its slim body its easy to play, sounds ok, feels good to play. But lately I’ve been trying to record some songs with it and the sound is a bit harsh and hard to tame in post-processing, so it will be sidelined for something new when I find myself some funds. One that will likely be passed to my son when he’s old enough, and assuming he shows any interest.
Ibanez Jet King II – Eventually I acknowledged that to continue recording my songs I’d need a bass. Using an octave effect to lower my guitar signal wasn’t cutting it, and I was getting better at recording, so I bought the real deal. Because I had no serious intent to use the bass for anything but the most basic additions to my recordings I bought the cheapest bass in the shop, which happened to be this one because it was part of a clearance sale that reduced it below the price of the cheap, shitty basses. Its quite a decent instrument really, with a strong sound and non-standard looks. I don’t play it now, because I have much better options, but it sits in my cupboard waiting for me to fancy another go on it.
Dean Mustaine VMNT – This one was a 30th birthday present from myself to myself. I just fancied it, so ordered one online. The first time I’d ever bought a guitar without playing several options in the shop, but it worked out well. Totally different to anything I’d owned (or played) before, this is a proper Metal machine, as you might expect. A Dave Mustaine signature model, it bears the Rust in Peace album art across its front. When I ordered it I received a call a couple of days later telling me it wasn’t actually in stock and would take a couple of weeks to arrive from the distributor. Well, I wasn’t impressed. It wouldn’t be with me in time for my birthday! Happily for me, the guy on the phone accepted my suggestion that they drop the price from £1200 to £800 (the price of the next model down, that was in stock). Bargain. I like to play Metallica songs on it, just to imagine the idiots on the internet losing their minds.
Epiphone G-400 – Finally deciding it was time to replace my long-lost Gibson SG, and having had a lot of success with Epiphone guitars (ignoring that Gothic), I bought a new SG model of theirs. It was something of a moving present, arriving a few weeks before we left the UK for Amsterdam. It was used for almost every one of the 45 weekly songs I recorded in 2015, and remains my go to for a quick play at home, due to its light weight, comfortable play, and great sound (now that I upgraded the pick-ups!) Playing it proves to me how far cheap, asian-made guitars have come in the last two decades.
Fender Precision – A few months after I moved to Amsterdam I found the nerve to put myself out there and seek a band. It was only a few days before Harry called and told me that he wanted to meet me to discuss his plans. The first rehearsal with him and his friends I played guitar (see my Epiphone Explorer above), but it was clear from the start that his bassist wasn’t playing the same things we were, so he was asked not to come back. Without a bassist, I said I’d give it a go. Of course I felt I wanted something a bit nicer than my Ibanez Jet King II, and so I went browsing for something better, and came home with a Fender Precision. What a beast! A pivotal moment; I came to realise that after a couple of decades of being a guitarist, I’d been missing out on the absolute blast of being a bassist! It quickly took over from guitar for me, and until I started to put together my album a few months ago, bass was the only thing I was interested in. I got pretty good at it too, pretty quickly, to the point that I have been headhunted twice since, which is kinda cool.
Epiphone EB-0 – So the two year itch… that’s on average how long I’ve gone without buying a new guitar, and sure enough it came along again a year or so ago while I was browsing an online guitar shop. I didn’t really need anything, though I figured it would be wise to have a solid backup to my Precision should anything happen to it during a gig (not that I’ve gigged here yet, the bands never get that far!) I saw an EB-0 (an SG-styled bass) for only €220, so went to the physical shop to try it out. Within 3 minutes I knew it was the right choice for me. Like the equivalent electric guitar, it is lightweight, feels great in my hands, has a nice sound, and is well-put-together. And like its equivalent guitar, it’s my go to bass at home due to the comfort in use. It’s also a short-scale bass, with the neck and fret spacing feeling a lot closer to a guitar, making it easier to swap between the two. More proof that cheap guitars today are really worth considering.
Jackson Concert Minion – Another bass, and the last one that I bought, last summer. This one was more for a laugh than anything. I didn’t expect anything serious from it. 3/4 scale, it’s super easy to play, but super hard at the same time as the strings are looser than they should be, and it doesn’t like to stay in tune. The small headstock also houses full-sized tuning pegs, which means that they hit each other during each turn! Still, a fun thing and it’s the only instrument I keep downstairs with a small amp for when I fancy a quick go. Not terrible, but not particularly good. I may look at Jackson though for my next serious bass, as the overall quality is more than decent.
Epiphone Hummingbird – I don’t own this yet, but I’m going to look at it tomorrow. My love for Epiphone is real, and so now I’m in the market for a decent acoustic guitar they are the obvious choice for something with a good price and excellent build quality. The reviews for this one are universally excellent, and whilst I tend to take user reviews with a handful of salt (especially when they all use the same tired words and phrases that don’t really mean anything), there’s one available in the local shop for me to test out, so that’s what I’ll be doing tomorrow!
Thanks for reading. Mine is a modest collection by many standards, though it does equate to one guitar every 1.8 years of playing, which is maybe a few too many! But what I’m left with today is a solid collection of fantastic instruments that make me smile, and really that’s what’s important.